{"id":1164,"date":"2026-09-20T12:02:28","date_gmt":"2026-09-20T12:02:28","guid":{"rendered":"https:\/\/interstellar-lordfiillms.ru\/?p=1164"},"modified":"2026-09-20T12:02:28","modified_gmt":"2026-09-20T12:02:28","slug":"apollo-13-music-from-the-motion-picture","status":"publish","type":"post","link":"https:\/\/interstellar-lordfiillms.ru\/?p=1164","title":{"rendered":"Apollo 13: Music From The Motion Picture"},"content":{"rendered":"

Apollo 13 (soundtrack) – Wikipedia<\/h2>\n

Apollo 13: Music From The Motion Picture<\/strong><\/p>\n

| Soundtrack album by | | |
\n|—|—|—|
\n| Released<\/strong> | June 27, 1995 | |
\n| Genre<\/strong> | Soundtrack | |
\n| Length<\/strong> | 77:41 | |
\n| Label<\/strong> | MCA | |
\n| Producer<\/strong> | James Horner | |<\/p>\n

James Horner chronology<\/strong><\/p>\n

| | | |
\n|—|—|—|
\n| | | |
\n| Braveheart<\/em> (1995) | Apollo 13<\/em> (1995) | Jade<\/em> (1995) |<\/p>\n

Apollo 13: Music From The Motion Picture<\/em> is the soundtrack to the 1995 film Apollo 13<\/em>, featuring an original score composed, conducted, and orchestrated by James Horner, performed by the Hollywood Studio Symphony. The soundtrack was released on June 27, 1995, by MCA Records and includes seven tracks of score, eight period songs used in the film, and seven tracks of dialogue from the actors, for a total running time of nearly 78 minutes. The score was critically acclaimed and nominated for Best Original Dramatic Score at the 68th Academy Awards, alongside Horner\u2019s other score for Braveheart<\/em>, released the same year. In 2019, Intrada Records released an expanded edition of the full score, along with remastered editions of Horner\u2019s original work.<\/p>\n

Track listing<\/strong><\/p>\n

All music composed by James Horner, except where noted.<\/p>\n

| No. | Title | Length |
\n|—|—|—|
\n| 1. | \u201cMain Title\u201d | 1:32 |
\n| 2. | \u201cOne Small Step\u201d | 0:42 |
\n| 3. | \u201cNight Train\u201d (performed by James Brown, written by Jimmy Forrest, Lewis Simpkins, and Oscar Washington) | 3:27 |
\n| 4. | \u201cGroovin\u2019\u201d (performed by The Young Rascals) | 2:26 |
\n| 5. | \u201cSomebody to Love\u201d (performed by Jefferson Airplane) | 2:55 |
\n| 6. | \u201cI Can See for Miles\u201d (performed by The Who) | 4:09 |
\n| 7. | \u201cPurple Haze\u201d (performed by The Jimi Hendrix Experience) | 2:48 |
\n| 8. | \u201cLaunch Control\u201d | 3:28 |
\n| 9. | \u201cAll Systems Go\/The Launch\u201d | 6:39 |
\n| 10. | \u201cWelcome to Apollo 13\u201d | 0:38 |
\n| 11. | \u201cSpirit in the Sky\u201d (performed and written by Norman Greenbaum) | 3:50 |
\n| 12. | \u201cHouse Cleaning\/Houston, We Have a Problem\u201d | 1:34 |
\n| 13. | \u201cMaster Alarm\u201d | 2:54 |
\n| 14. | \u201cWhat\u2019s Going On?\u201d | 0:34 |
\n| 15. | \u201cInto the L.E.M.\u201d | 3:43 |
\n| 16. | \u201cOut of Time\/Shut Her Down\u201d | 2:20 |
\n| 17. | \u201cThe Darkside of the Moon\u201d (performed by Annie Lennox) | 5:09 |
\n| 18. | \u201cFailure is Not an Option\u201d | 1:18 |
\n| 19. | \u201cHonky Tonkin\u2019\u201d (performed and written by Hank Williams) | 2:42 |
\n| 20. | \u201cBlue Moon\u201d (performed by The Mavericks, written by Richard Rodgers and Lorenz Hart) | 4:09 |
\n| 21. | \u201cWaiting for Disaster\/A Privilege\u201d | 0:43 |
\n| 22. | \u201cRe-Entry & Splashdown\u201d | 9:05 |
\n| 23. | \u201cEnd Titles\u201d (performed by Annie Lennox) | 5:34 |<\/p>\n

Reception<\/strong><\/p>\n

Tom Demalon of AllMusic gave the album four out of five stars, writing, \u201cThe orchestrated score manages to capture the drama of the events in a manner that ranges from quietly stirring to sweepingly epic, with Eurythmic Annie Lennox adding her distinctive, ethereal vocal accompaniment to several of the cuts.\u201d<\/p>\n

A review from Filmtracks.com gave the album five stars, ranking it \u201ceasily among the best of the 1990s.\u201d<\/p>\n

Christopher Coleman of Tracksounds rated the album 9\/10 and summarized, \u201cThis score obviously inspired David Kneupper’s work for the Apollo\/ Saturn V Exhibit and who could blame him. Horner’s score, like the story of the Apollo 13 mission, has inspired countless and continues to inspire today.\u201d<\/p>\n

Zanobard Reviews rated the album 9\/10 and commented, \u201cJames Horner’s score to Apollo 13<\/em> is nothing short of \u2018out of this world.\u2019 His expert use of instrumentation and vocals make the score the perfect accompaniment to the film, and his near masterful use of tone and emotion is what gets the music to truly stand out from the crowd. The main theme is fantastic, setting an appropriately heroic and patriotic tone for the score while at the same time keeping up tension and drama when they are needed. I do feel that the motif is perhaps a tad overused at times, which makes its appearances at critical moments in the film somewhat less impactful than they should be, but honestly this is a nitpick more than anything else.\u201d<\/p>\n

Music critic Jonathan Broxton wrote, \u201cApollo 13<\/em> reveals Horner’s genius in both conception and execution, a score which inspires, rouses, yet also frightens us.\u201d<\/p>\n

James Southall of Movie Wave wrote, \u201cIt is respectfully heroic and noble but still carries a real dramatic thrust and the emotional climax is wonderful. In the film, every note of the music is perfectly judged; away from it, a constant source of pleasure.\u201d<\/p>\n

Sean Wilson of MFiles wrote, \u201cHorner really hit his peak in the mid-90s with scores such as Apollo 13<\/em>. Titanic<\/em> may have scooped the Oscar glory a couple of years later but this is arguably a far more accomplished work, having to bridge the dialogue heavy sections of the movie with graceful verve, and without reducing the film’s narrative to the level of tawdry melodrama. In an outstanding year for film music, Horner’s work on Apollo 13<\/em> soared with the best of them.\u201d<\/p>\n

Live performance<\/strong><\/p>\n

Four years after Horner\u2019s death in June 2015, the American Youth Symphony orchestra performed the entire score live to picture (along with a special screening of the film) at Royce Hall in the University of California, Los Angeles on November 16, 2019.<\/p>\n

Limited edition<\/strong><\/p>\n

On January 15, 2019, Intrada Records released the expanded edition of the score album, containing Horner\u2019s full score for the film.<\/p>\n

| Disc 1<\/strong> | | |
\n|—|—|—|
\n| No. | Title | Length |
\n| 1. | \u201cMain Title\u201d (film version) | 1:53 |
\n| 2. | \u201cLunar Dreams\u201d | 2:40 |
\n| 3. | \u201cA Son’s Worries And Simulator Crash\u201d | 4:37 |
\n| 4. | \u201cNight Visitors\u201d | 1:08 |
\n| 5. | \u201cAll Systems Go \u2013 The Launch\u201d | 10:19 |
\n| 6. | \u201cDocking\u201d | 2:26 |
\n| 7. | \u201cMaster Alarm\u201d (film version) | 3:31 |
\n| 8. | \u201cInto The L.E.M.\u201d (film version) | 5:10 |
\n| 9. | \u201cThe Dark Side Of The Moon\u201d | 5:18 |
\n| 10. | \u201cCarbon Dioxide\u201d | 5:45 |
\n| 11. | \u201cManual Burn\u201d | 1:56 |
\n| 12. | \u201cA War Story\u201d | 1:06 |
\n| 13. | \u201cFour More Amps\u201d | 3:22 |
\n| 14. | \u201cL.E.M. Jettison\u201d | 1:37 |
\n| 15. | \u201cRe-Entry And Splashdown\u201d (film version) | 9:15 |
\n| 16. | \u201cEnd Credits\u201d (film version) | 6:55 |
\n| 17. | \u201cMarilyn’s Nightmare\u201d | 0:58 |
\n| 18. | \u201cCanister Explosion\u201d | 0:24 |
\n| 19. | \u201cReactant Valves\u201d | 1:09 |
\n| 20. | \u201cOut Of Control\u201d | 1:08 |
\n| 21. | \u201cPower Off\u201d | 0:57 |
\n| 22. | \u201cA Square Peg\u201d | 3:49 |
\n| 23. | \u201cCosmic Connection\u201d | 0:44 |
\n| Total length:<\/strong> | | 76:07<\/strong> |<\/p>\n

| Disc 2<\/strong> | | |
\n|—|—|—|
\n| No. | Title | Length |
\n| 1. | \u201cMain Title\u201d | 2:40 |
\n| 2. | \u201cLunar Dreams\u201d | 2:41 |
\n| 3. | \u201cAll Systems Go \u2013 The Launch\u201d | 10:21 |
\n| 4. | \u201cDocking\u201d | 2:26 |
\n| 5. | \u201cMaster Alarm\u201d | 3:06 |
\n| 6. | \u201cInto the L.E.M\u201d | 5:10 |
\n| 7. | \u201cThe Dark Side Of The Moon\u201d | 5:17 |
\n| 8. | \u201cCarbon Dioxide\u201d | 5:45 |
\n| 9. | \u201cManual Burn\u201d | 1:57 |
\n| 10. | \u201cFour More Amps\u201d | 3:20 |
\n| 11. | \u201cRe-Entry And Splashdown\u201d | 9:15 |
\n| 12. | \u201cEnd Credits\u201d | 6:59 |
\n| Total length:<\/strong> | | 58:57<\/strong> |<\/p>\n

Personnel<\/strong><\/p>\n

Credits adapted from CD liner notes.<\/p>\n

* Album credits
\n * Music composed, conducted, and orchestrated by \u2013 James Horner
\n * Performed by \u2013 The Hollywood Studio Symphony
\n * Music editor \u2013 Thomas Drescher
\n * Supervising music editor \u2013 Jim Henrikson
\n * Assistant music editor \u2013 Kristen Johnson
\n * Mixed by \u2013 Shawn Murphy
\n * Orchestrated by \u2013 Don Davis, Steve Bramson
\n * Orchestra contractor \u2013 Sandy de Crescent
\n * Music consultant \u2013 Joe Sikoryak
\n * Music co-ordinator \u2013 Frank K. DeWald
\n * Production co-ordinator (Universal Music Enterprises) \u2013 Sean Kennedy
\n * Soundtrack album co-ordinator (Universal Pictures) \u2013 Andy Kalyvas, Nikki Walsh
\n * Copyist \u2013 Robert Bornstein, Robert W. Joles, David A. Izzard, Emmett Estren, Jeffrey Hoyt Jones, Jon K. Marquart, Kendall Schmidt, Kirby Furlong, Laurie Robinson, Margaret J. Maryatt, Roy Wood, Steven Juliani, Victor Sagerquist
\n * Executive producer \u2013 Brian Grazer, Kathy Nelson, Ron Howard, Todd Halliwell
\n * Executive in charge of music (Universal Pictures) \u2013 Mike Knobloch
\n * Music business affairs (Universal Pictures) \u2013 Steven Griesemer, Tanya Perara
\n * Product manager (Universal Music Enterprises) \u2013 Gene Zacharewicz
\n * Production manager \u2013 Regina Fake
\n * Art direction \u2013 Kay Marshall
\n * Liner notes \u2013 John Takis
\n* Performer credits
\n * Bass \u2013 Arni Egilsson, Bruce P. Morgenthaler, Charles Domanico, Drew D. Dembowski, Edward Meares, Nico C. Abondolo, Paul J. Zibits, Richard Feves, Steve Edelman, Susan A. Ranney, Timothy C. Barr
\n * Bassoon \u2013 John Steinmetz, Kenneth E. Munday, Michael R. O’Donovan, Patricia Kindel-Haimerl, Rose Corrigan
\n * Cello \u2013 J. Antony Cooke, Armen Ksajikian, Barbara George, Barbara Jane Hunter, Christine Ermacoff, Dane R. Little, David Low, David Speltz, Dennis Karmazyn, Douglas L. Davis, Earl Madison, John Walz, Matthew Cooker, Rowena Hammill, Sebastian Toettcher, Timothy E. Landauer, Todd Hemmenway
\n * Clarinet \u2013 Emily Bernstein, Gary S. Bovyer, Gary G. Gray, James M. Kanter, Michele Zukovsky
\n * Flute \u2013 David Shostac, James R. Walker, Louise M. Di Tullio, Sheridon W. Stokes
\n * French horn \u2013 Brian D. A. O’Connor, David A. Duke, James W. Thatcher, John A. Reynolds, Richard J. Todd, Steven B. Becknell, Todd L. Miller
\n * Harp \u2013 Gayle Levant, Jo Ann Turovsky
\n * Keyboards, synth \u2013 Ian R. Underwood, Michael Fisher, Ralph E. Grierson, Randy M. Kerber, Ronald Aston
\n * Oboe \u2013 Barbara Northcutt, Kathleen T. Robinson, Phillip Ayling, Thomas G. Boyd
\n * Percussion \u2013 Alan Estes, Robert J. Zimmitti, Dale L. Anderson, Donald J. Williams, Gregory Goodall, Jerry D. Williams, Peter Limonick, Thomas D. Raney
\n * Trombone \u2013 Alan L. Kaplan, Robert F. Sanders, Richard Nash, William C. Booth
\n * Trumpet \u2013 George Burnette Dillon, Warren H. Luening Jr., Timothy G. Morrison
\n * Tuba \u2013 James M. Self
\n * Viola \u2013 Brian Dembow, Carrie Holzman Little, Dan Lionel Neufeld, Donald McInnes, Janet Lakatos, Keith Greene, Linn Subotnick, Maria L. Newman, Marlow G. Fisher, Michael Nowak, Mihail Zinovy, Miriam Dye, Pamela Goldsmith, Rick Gerding, Robin R. Ross Chineduh, Roland Kato, Scott Haupert, Steven A. Gordon, Victoria E. Miskolczy
\n * Violin \u2013 Alan H. Grunfeld, Anatoly Rosinsky, Arnold Belnick, Berj Garabedian, Bonnie J. Douglas, Bruce Dukov, Claudia Parducci, Clayton Haslop, David Ewart, Dimitrie Leivici, Endre Granat, Eun Sun Lee, Eun-Mee Ahn, Galina Golovin Zherdev, Gregory D. Moore, Haim Shtrum, Isabella Lippi, Jay Rosen, Julie Ann Gigante, Karen Jones, Katia K. Popov, Kenneth Yerke, Lily Ho Chen, Miran Haig Kojian, Patricia Johnson, Paul C. Shure, Polly H. Sweeney, Rachel Robinson, Rafael Rishik, Ralph Morrison III, Ren\u00e9 M. Mandel, Richard L. Altenbach, Robert L. Brosseau, Robin Olson, Roger D. Wilkie, Ronald Folsom, Sheldon Sanov, Sheryl Staples Centanni, Sid Page, Tamara L. Hatwan Chang
\n * Vocals \u2013 Annie Lennox<\/p>\n

Accolades<\/strong><\/p>\n

| Year | Award | Category | Recipient | Result | Ref. |
\n|—|—|—|—|—|—|
\n| 1996 | Academy Awards | Best Original Dramatic Score | James Horner | Nominated | [10][11][12] |
\n| | Chicago Film Critics Association | Best Original Score | | Nominated | [13][14] |
\n| 2019 | International Film Music Critics Association | Best Archival Release of an Existing Score \u2013 Re-Release or Re-Recording | James Horner, Mike Matessino, Kay Marshall and John Takis | Nominated | [15][16] |<\/p>\n<\/backlinks_index>

<\/div>","protected":false},"excerpt":{"rendered":"

Apollo 13 (soundtrack) – Wikipedia Apollo 13: Music From The Motion Picture | Soundtrack album by | | | |—|—|—| | Released | June 27, 1995 | | | Genre | Soundtrack | | | Length | 77:41 | | | Label | MCA | | | Producer | James Horner | | James Horner […]<\/p>\n<\/backlinks_index>

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